when the sun burst through the sky

Jul. 21st, 2017 10:05 am
musesfool: Stephanie Brown as Batgirl (can't hardly wait)
[personal profile] musesfool
I spent last night reading fic where Jason and Cass turn out to be biological siblings, not just adopted siblings, and squee!, that is one of my favorite Batfamily tropes. Plus, there was some awesome Jason-Cass-Steph bonding which I feel canon has repeatedly cheated me out of, even though they would get along like a house on fire (literally, probably, given Jason's involvement and enjoyment in blowing things up). Plus there is some hilarious snark at poor Tim's expense that made me laugh out loud repeatedly. Oh Tim. (There will be recs at the end of the month as usual, but here and here for those of you who are impatient and also not following my pinboard.)

Also, yesterday, my consolation birthday present arrived - a beautiful red patent leather Love Moschino tote bag (wow, there were three left in stock when I ordered mine and now there are none! I'm glad I got there in time!). During the whole epic search for a new bag, I coveted a red patent leather bag, but couldn't find one (or, rather, couldn't find one that was less than, like, $800 and while I'm profligate, I'm not that profligate), since I guess they aren't in style right now? Except it's red patent leather so I can't imagine how it could go out of style? But whatever. On a whim on Wednesday, I checked Zappo's to see if there were any available, and lo and behold, there it was. It's beautiful. It's big and kind of unwieldy (and unpleasantly sticky against the bare skin of my arm in the heat), but I don't care, because it's gorgeous.

Bosses 1 & 3 both admired it as I unpacked it from the box, and they were like, "Are you going to save it for special occasions?" and I said, "Hell no!" (note: I did not actually say "Hell no!" I just said, "no! I bought it so I could use it! Because it is beautiful!") And I recommend to all of you to use your beautiful and special things rather than waiting for some mythical special occasion to crop up, because frequently, you will be waiting forever and never get to enjoy the beautiful thing you bought for yourself. Using a special bag/wearing your beautiful new shoes/opening that expensive bottle of wine - they can all make a regular occasion special, and I recommend you do that rather than wait for some occasion arbitrarily deemed "special" enough to break out the fancy lipstick or whatever. Live your best life whenever you can, people!

***

this adorable goofball

Jul. 21st, 2017 04:56 pm
sapphire2309: (Default)
[personal profile] sapphire2309
I was rewatching POI 1x06 (aka Zoe's first episode) when I spontaneously combusted from the adorableness of John Reese.

So Harold at one point asks John, "Assuming that [Zoe's] the victim and not the perpetrator, who would want to take her out?" And John responds with, "Who wouldn't?" Except that he's not talking about potential threats, he's talking about taking her out. Like on a date. With food and flowers.

I CANNOT HANDLE THIS HOW DID I ONLY CATCH IT ON THE REWATCH IT IS TOO CUTE.

Tadema and the Victorian Obsession

Jul. 21st, 2017 03:00 am
[syndicated profile] muddycolors_feed

Posted by Howard Lyon

--by Howard Lyon

Last week there was a post by Dan Dos Santos about a new Alma-Tadema exhibit at the Leighton House in London. Tadema is one of my all time favorites and I hope to be able to make it to the show. There is no substitute for seeing the original, but if we can't make it there, major exhibitions usually come with high quality books and reproductions made from excellent photography.

After seeing the post I went in search of the book that would accompany the show and I found it.  It does not disappoint. It is a nice sized book with excellent reproductions and some large prints.  The text of the book is excellent as well, showing the arc of Tadema's career and how he influenced other artists of his time. We also get some insights into his working methods and family.  I can't recommend the book enough if you are at all a fan of this amazing artist.



Here is a flip-through of the book:


You can order the book on Amazon here: Lawrence Alma-Tadema: At Home in Antiquity


I found another book while in France at the Musee D'Orsay bookshop.  I couldn't find the book in english in the shop, but a quick search on Amazon dug one up.  The prices are all over the place, which suggests that the supply is limited and when it is gone, the book may be in high demand.  The book catalogs another Leighton House show.  This time it is the collection of Pérez Simón who loves the late 19th century Victorian artists.  This is another fantastic book with a great variety of artists represented.  Tadema is again a well represented, but so are Waterhouse, Godward, Leighton, Millais, Poynter and many other greats.




Here is another flip through:



And you can get this one on Amazon as well: A Victorian Obsession

It is limited in supply, though there are a dozen or so copies below $40 as of this writing.

Hamilkitties!

Jul. 20th, 2017 03:09 pm
rachelmanija: (It was a monkey!)
[personal profile] rachelmanija


Curious Alex.





Erin, waiting for it.

musesfool: wendy watson in a wetsuit with a gun (come at me bro)
[personal profile] musesfool
Dear co-workers:

* I cannot finish your urgent project in a timely fashion if you keep interrupting me to ask when your project is going to be finished! Please stop!

* We have already done Thing based on all your requirements (and with your approval!) last quarter. We can just update it instead of spending so much time trying to come up with a new way to do it (only to come up with basically the exact same Thing). There is no need to spend hours reinventing the wheel!

* You have to decide whether you need a meeting to happen ASAP or if you need everyone involved present, because it's July coming up on August, and half the people you need will be out on vacation at any given moment and I have no control of that.

* I don't want healthy snacks in the vending machine. If I am driven to getting food from it, it's generally because I want Frito Lay corn chips or terrible plasticky cheap chocolate, not some sort of chip made from beans or some kind of granola bar! WTF?

no love,

me

***

2181 / Fic - MCU

Jul. 20th, 2017 11:41 am
siria: (ca - peggy)
[personal profile] siria
Lessons in Unsubtle Diplomacy
MCU | ~12,700 words | Steve/Peggy, AU | Thanks to [personal profile] sheafrotherdon and [personal profile] trinityofone for all their help with this. Written for [personal profile] thedeadparrot for the [tumblr.com profile] fandomtrumpshate auction, with thanks for her generosity and her patience.

(Read also on AO3)

Steve, Peggy, and a visit to an English country house after the war. What could possibly go wrong? )
[syndicated profile] muddycolors_feed

Posted by Lauren Panepinto

By Lauren Panepinto
  
I look at a lot of portfolios, and in almost every review, the artist asks me whether their work is suitable for book covers. Sometimes a gorgeous portfolio just doesn't have the "book cover feel" I need to commission them. There's a lot of reasons why a good illustration may not be a good book cover. Remember most of all, a book cover is advertising first, art second. As painful as that simple fact may be to us on the artist side of the spectrum, that fact is undeniable: An "ugly" book cover that is a bestseller is more successful than a "beautiful" one that sells half as many copies. Now of course, those are subjective values, and I'm exaggerating. As an Art Director, one of the main responsibilities I have is to balance the Artist's priority (make a gorgeous portfolio piece) with the Author/Editor's priority (sell books), and that can lead to choices that make business sense but not aesthetic sense (ex: making the type bigger and as a result covering more of the art).

Remember, there are creatives on both sides of this equation. Artists on one, and Authors on the other. And I want to do my best job for both. After all, more books sold means more paying work for both the author and the artist. (And, bonus, it keeps your Art Director employed.)

In most bookstores, you're lucky if you get a cover-out spot, instead of just a spine-out.

Anyway back to the point. A cover sells the book in a way that concept art, interior illustrations, and gaming art really doesn't have to. A good book cover needs to be eye-catching more than it needs to be beautiful, because book covers exist in a highly competitive and overwhelming visual market. A viewer of a table or bookshelf at a bookstore only has half a second tops to scan past a cover, and it's even less on websites.

So what do I look for? (given that skill level is suitable)
—Simple compositions, usually with the Important Thing in the center
Visual Hierarchy, with a strong focal point
—Control of the viewer's eye path thru secondary focal points
—Strong silhouettes and graphic use of negative space (because that reads really well small)

Extra Credit: Depicting common genre checkpoints in a fresh way

Covers need to be visually interesting in thumbnail size too. You don't necessarily need to be able to see exactly what's going on, but your eye is drawn to strong colors, shapes, and silhouettes at this scale.

I think I can probably do a post on each one. I probably should. I already did one on Visual Hierarchy. So let's pick off an easy one, something that I see mishandled in a lot of student and young professional's portfolios: Simple, centered compositions.

Now I'm not talking about compositions that are off-center for a definite compositional reason. Again, if you've nailed the visual hierarchy and eye flow path, then you don't need to center the composition. I'm talking about the off-center for no reason compositions. The ones where, if I ask why the character wasn't centered, I get a shrug at best. At worst, I've heard fresh grads state their teachers told them never to center a character or composition because it was too simple. So I end up seeing a lot of illustrations that just look...mis-cropped. They're not off-center enough to look deliberate. They're just...slightly enough off-center to look like a mistake.

Look I don't want to shame anyone's wishy-washy compositions here, so instead I'm going to show you a whole bunch of covers below that are solidly centered. And I'm going to challenge you, next time you're in a book store, or browsing online, go find an illustrated book cover where the composition isn't centered. Not too easy, is it? And the ones that are off-center, I bet the type takes over the role of center focal point. That's most of the big epic fantasy landscape covers right there.

So the moral of the story is, if you don't have a deliberate reason to have an off-center composition, then just own it. Center that character! Center that planet! Center that giant space slug! (or whatever). Trust me, as I am the one hiring book cover artists all the time. It's not "too easy". It's not "cheating". It's not "playing it safe". When in doubt, just center it.

Jaime Jones

Greg Manchess

Dan Dos Santos

Sam Weber

Victor Mosquera

Richard Anderson

Sam Weber

Dominick Saponaro

Ben Zweifel





two vids

Jul. 19th, 2017 07:52 pm
kuwdora: Pooka - card 60, brian froud (Default)
[personal profile] kuwdora posting in [community profile] vidding
Go
song/artist: "Go" by Indigo Girls
source: Stargate SG-1

can find streaming here

---

The Power
song/artist: “The Power” by Snap! remix I don't actually know.
source: Sense8


can find streaming here

Märchenmond

Jul. 19th, 2017 11:35 pm
schneefink: (FF Kaylee in hammock)
[personal profile] schneefink
I recently reread one of my favorite fantasy series as a kid, the Märchenmond books by Wolfgang and Heike Hohlbein. (I only ever knew of three books, I recently found out that there is a fourth one but with a different main character. I haven't read it yet and I don't think I want to.) The title means "fairy tale moon", though the English translation is "Magic Moon," which for some reason sounds hilarious to me.

I was worried I wouldn't like the books anymore, but I reread them anyway because I had ideas for these characters for h/c bingo. (No idea why they came to mind after so long. Now after rereading I've discarded the original idea but I have another one, let's see if anything comes of it.) Unsurprisingly I don't like them as much as I did, but I can still see why I loved them and enjoy some elements, good enough for me.

As I half expected, I didn't much like the main character, who always becomes unexpectedly extremely wise in the last fifteen pages and makes a great speech; the special fighting skills were pretty much a given. Especially books 2 and 3 required a lot of work to ignore how silly the central conflict premise was so one could enjoy the rest of the plot. In all three books I really liked the secondary characters, they were a lot of fun. There were continuity problems from each book to the next, I did not expect that to annoy me as much as it did.
All in all I don't regret rereading the books, but probably won't do it again, at least not anytime soon.

Märchenmond )

Märchenmonds Kinder )

Märchenmonds Erben )


In apartment news, most of the construction site is gone! Originally it said end of July, so logically I expected it to last until the middle of August, and it finishing earlier than announced was a happy surprise.
Eva moved out today :( She'd only been here for three and a half months, but apart from DD she was my favorite flatmate so far and I'll miss her. We already found the next person, she'll move in in August. She seems nice too, but at least at her initial visit I found it not that easy to get into a conversation flow with her, I hope that'll get better and we'll get along well. We already know that she doesn't bake, that's a downgrade right from the start ;) DD and I decided to bake more often (and also make more lemonade), I hope we'll actually manage to keep to that.

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ancientcitadel

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